Heresy
Tuesday, September 30th, 2008I have to give credit to Lucas for being the first to say it (or at least the first to say it in my presence): St. Anger is better than Death Magnetic.
I have to give credit to Lucas for being the first to say it (or at least the first to say it in my presence): St. Anger is better than Death Magnetic.
This is hardly a “find,” as it comes from Pitchfork.tv of all places, but I really cannot get over Kim & Jessie.
The summer seems to have gone by. I owe you some movie reviews. Let me just crawl out of this pit first.
My dream is to collaborate with a graphic design artist on these to win a Photoshop contest.
“Brutal” here meaning, by my own conception, “arousing ugly feelings.” I just tossed this list off with very little rigor or forethought, so let me know if I’ve forgotten anything.
One thought that occurs upon my first glance is that I should’ve listened to The Melvins more.
Am I insane, or is it in fact possible—and evident, no less, all these years after the fact—that Washing Machine is one of Sonic Youth’s best records?
Everyone do me a favor and give it a fresh spin. I’m thinking right now I might put it sixth.
I love how Hillary says she “will be making no decisions tonight.” See, that’s the beautiful thing about this, Hillary: we’ve made the decision for you.
Man, I know who’s going to be jealous when this list starts to circulate. Angel Deradoorian.
Character A has repressed feelings of some sort or another toward Character B. They have a dialogue in which much, if not everything, is said. The dialogue ends. Character B begins to exit. As he reaches the doorway, Character A calls his name, as a postscript: “B?” Character B responds, “yes?” Character A, after a pause: “nothing.” And scene.
Here are the notables, or at least the ones I can recall right now.
Am I forgetting anything?
Character A delivers bad news or a lethal put-down to Character B, or interrupts Character B in the middle of something important and/or embarrassing. They are indoors. Character B whispers “get out.” Two awkward silent seconds pass. Then Character B repeats himself in a shout: “GET OUT!!”, after which Character A slinks away in sheepish despondency.
Start keeping a tally of how many movies feature this exact scene. It will spin your head.
Just once, I would like to see Character A get the message and leave the room after the whisper.