Top Twenty Albums of 2011
January 27th, 2012- Bon Iver: Bon Iver
- EMA: Past Life Martyred Saints
- tUnE-yArDs: w h o k i l l
- Real Estate: Days
- Unknown Mortal Orchestra: Unknown Mortal Orchestra
- The Weeknd: House of Balloons
- Jay-Z and Kanye West: Watch the Throne
- Oneohtrix Point Never: Replica
- Kurt Vile: Smoke Ring for My Halo
- PJ Harvey: Let England Shake
- Drake: Take Care
- Blut Aus Nord: 777 — Sect(s)/The Desanctification
- Iceage: New Brigade
- Gang Gang Dance: Eye Contact
- Danny Brown: XXX
- M83: Hurry Up, We’re Dreaming
- Clams Casino: Instrumental Mixtape
- The Antlers: Burst Apart
- Kendrick Lamar: Section.80
- Point Juncture, WA: Handsome Orders
What an exciting year to have an ear to the ground. Though they may fall short of constituting a trend or inspiring an investigation, the quirks of this year’s list that jump out at me are:
1. the high hip hop quotient. Somehow 2011 was the year when I finally embraced hip hop’s supplantation of rock as America’s popular music, though it could easily be argued that this shift became palpable as long ago as, say, 1999. To put it another way, this was the year when hip hop finally stopped seeming like something inherently not “for me,” something I have to work a little harder to enjoy. Though I’d always been willing to put in the work in the past, there’s simply no need anymore. Hip hop now sounds as natural and organic to me as any other style, which is quite valuable in a world where its presence grows still larger every year with no end in sight.
2. the high fresh blood quotient. Observe just how many of these terrific records are their artists’ first or second releases. There really aren’t a lot of firmly established names on here, and those that do appear really earned the spot (Let England Shake just has to be PJ Harvey’s best album since To Bring You My Love). What I mostly see instead are some rather shocking debuts (EMA, UMO, The Weeknd, Iceage), and some (perhaps equally shocking) sophomore quantum leaps (Bon Iver, tUnE-yArDs, Real Estate, Drake). What’s more, four of these entries were free downloadable mixtapes, which is most definitely a record (no pun intended) as far as these lists of mine go, though one that I expect could be shattered as soon as 2012. [This figure is obviously highly correlated with the list's strong hip hop presence; a huge Thank You to the hip hop community for continuing to be the front line in the movement to decouple music from commerce.]
The songs list now demands my full attention, though it may be another week or two before it’s out of the oven. Spoiler alert: Bon Iver wins.